CMG Live! 6:30p-7p EST - Episode 01: 2012 Marketing

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Spotify: A Brand New World?

Image representing Spotify as depicted in Crun...Image via CrunchBase

Spotify comes to the U.S. It is like iTunes, meets Pandora, meets the Copyright Office, meets Harry Fox’s sample clearing agency. The revenue streams are vast with premium accounts that allow you to save playlists offline, bring up tunes on your mobile devices and home computer, as well as share via Facebook, Twitter, and instant messaging services. In addition, there is a copyright registration service for recording artists that charges $85 per submission that is user friendly, simple, and provides customer service for any concerns dealing with the copyright process. Subsequently, Harry Fox Agency has inked a deal with Spotify that will allow mechanical rights to be cleared as a new submission is distributed over the net.

Spotify serves quite a few purposes that can streamline promotional efforts on the web for artists. For instance, if I decided to release a new album, then I could upload the release on Spotify, get it copyrighted, any samples cleared, and start promoting the album via sharing it to Facebook, Twitter, vids via You Tube, and use the forums as an interactive review board for the tracks. Keep in mind Spotify pays only $0.0043 per play, so, other types of marketing will be necessary. The interesting thing on Spotify is the ability to market “leaked tracks” or “firestarter tracks” that lend themselves to build a following. Thus, Spotify can be used to get gigs, build tours, land interviews, and possible publishing/distribution deals to solidify more lucrative revenue streams via downloads, album sales, merchandise sold at venues, licensing opportunities, and more.

Some hail Spotify as the second coming, but I see it as just another tool or arrow in your online marketing quiver. It is very powerful as a sharing tool, but remember the times are circling back to the times of touring acts and bands. If you can find a way to be a touring act that never has to leave your home, then fine. But if you could do that then your garage would be large enough to sell enough tickets to make serious money. Until then, get on the road, get gigs, be willing to travel, and make money.

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